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All our information concerning the names and lives of Sts. Joachim and Anne, the parents of Mary, is derived from apocryphal literature, the Gospel of the Nativity of Mary, the Gospel of Pseudo-Matthew and the Protoevangelium of James. Though the earliest form of the latter, on which directly or indirectly the other two seem to be based, goes back to about A.D. 150, we can hardly accept as beyond doubt its various statements on its sole authority. In the Orient the Protoevangelium had great authority and portions of it were read on the feasts of Mary by the Greeks, Syrians, Copts, and Arabians. In the Occident, however, it was rejected by the Fathers of the Church until its contents were incorporated by Jacobus de Voragine in his "Golden Legend" in the thirteenth century. From that time on the story of St. Anne spread over the West and was amply developed, until St. Anne became one of the most popular saints also of the Latin Church.
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New Advent Catholic Encyclopedia entry on Saint Anne
Wikipedia entry on Saint Anne
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Wikipedia entry on Saint Peter
There are two other items worth noting about this pair of windows. One is the remarkable similarity in pose, composition, and coloration of the two portraits: both are depicted in almost identical orientation to the viewer, and both wear vestments of rich ruby red, pale aquamarine, and wheat. (Saint Anne also has some purple in her clothing.)
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The upper round window depicts a Lily of the Valley, mentioned in the Song of Songs and another element of the hortus conclusus. Additional religious relevance, from the Wikipedia entry:
The flower is also known as Our Lady's tears since, according to Christian legend, the tears Mary shed at the cross turned to Lilies of the Valley. According to another legend, Lilies of the Valley also sprang from the blood of Saint Leonard of Noblac during his battles with a dragon.The script on the banner beneath this image is, unfortunately, unreadable.
1 comment:
This is such a great project that you are doing!
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